You've got to go do this (category: fun)
[info]douglas_clegg
Perseus Books Group is going to publish Book: The Sequel (all proceeds going to the National Book Foundation), and you're going to help write it.

This is probably the most fun you can have as a book lover -- or hater -- today:

Write the first line of the sequel to a classic or well-known book. Go check out the examples, and then submit your own.

http://www.bookthesequel.com/

I submitted three so far - one for a sequel to Pride & Prejudice, one for a sequel to The Great Gatsby, and one for a sequel to Les Miserables.

Pass this URL around -- you and your friends are going to have fun with this. And feel free to post what books you chose here. Thanks!

Ask Me Thursday Q&A
[info]douglas_clegg
Every week at Facebook, I have "Ask Me Thursday," where other writers and readers
ask me any questions they want about the writing life. Here are some of these
questions & answers, with the hope that they'll be of some help to you if you're a
writer -- or of interest as a reader.

I've edited from the originals to both keep the asker somewhat anonymous and the
answers as much to the point as possible. I'll post more of these each week, so
if you have "Ask Me Thursday" questions on any Thursday, feel free to post them in
comments here beneath the Q&A. Thank you.


* * * * *


Terri asked:

How do you keep your attention focused?


Douglas Clegg answered:

I'm focused because I'm interested in the story itself. It doesn't really matter
that much if it'll ever be published (although, coincidentally, they all seem
to get published at one time or another.)

I'd write this stuff whether or not anyone else ever saw my work. And
when I've finished something, I want everyone to read it.

* * * *

Trista asked:

How much do you read each work day?
(And has there been anything recently you've particularly liked?)



Douglas Clegg answered:

I try to begin a novel every week or two. I don't always finish, if
the book doesn't hold my interest. Recently I finished One Hundred
Years of Solitude by Gabriel Garcia Marquez. I'm currently reading T
he House of Wittgenstein by Alexander Waugh. I love 'em both.

In between I'm keeping up the research on the novella I'm finishing up
called The Innocents at the Museum of Antiquities. That means, several
books on Mexican history, art, culture, etc. Some are on my Kindle and
some are spread out over my desk, including a really good one that
Mick Schwartz (my friend Matt Schwartz's dad) gave to me called
The Flayed God: The Mythology of Mesoamerica.

* * * *

Richard asked:

What was your first writing machine?


Douglas Clegg answered:

I was too young to remember the first one -- I was about eight years
old when I used it. It was a kid-sized typewriter that was red. The ink also was red
and WROTE ONLY IN CAPS.

After that, it was my dad's Smith-Corona electric typewriter, which was
very cool at the time. It hummed and clacked.

I had a Royal once -- when they were ancient -- but I never could change
the ribbon on it.

Then, I got an IBM Selectric II in a good cheap deal from my friend Sheryl's
office. Sheryl has gone on to be a major TV writer/exec and novelist, as well.
We lived nextdoor to each other at age 5 and then ran into each other again in
our college years and later drove across country to L.A. and pursued our
dreams in our 20s.

I mention that because I find it interesting that two little kids who lived side by
side at 5 happened to grow up and publish novels.

After that, it was Kaypro and Wordstar (I loved them both), and then on to the
rest of the replaceable and forgettable PCs and laptops I've had.

* * * *

Madelon asked:

When you are writing, do you read on subject or stay away?


Douglas Clegg answered:

Madelon - I read everything I can that interests me all the time. So when I'm writing,
I'll read a lot. But it's usually nonfiction.

To balance this intellectual pursuit, I tend to watch trashy T.V. shows by the end of
the day. Right now, The Housewives of Manhattan or whatever it's called has
become my new gothic viewing.

* * * *

Jorge asked:


What's the thing you like the most about writing (doing research, being by
yourself, etc.) and what's the thing you hate the most about being a writer (editing your
material before giving it to your editor, letting go of your stories and thinkin' you could've
done better, etc.)?



Douglas Clegg answered:

The same things I hate about writing are the things I love once I solve the problems
of the writing I'm doing.

So, the other day I felt like jumping off a cliff over a problem in the novella I've been
working on. Then, once I solved the problem I felt that it was the best problem to
have figured out.

I think all of life is problem-solving -- constantly -- and so what often seems dreadful
and unmanageable becomes wonderful once you put your mind to it and truly focus.
I think this is part of discipline in writing.

I love research because I only research what I already love finding out about or discover
that I love, anyway. I love being by myself (my spouse is at home 24/7, as well, and
brainstorms with me the way a great editor would, too), I absolutely love editing and
revising. I think if I have one dislike, it's simply those days, weeks, months or seconds
before I solve whatever problem is inherent in the work. At the time, the problem feels
insurmountable.

* * * *

Harry asked:

Doug...so where is the publishing industry headed? I see talented men and women
desperately trying thrillers, YA, all kinds of things to stay afloat…I know you're likely to
say "write what you want," but curious if you've had this experience or care to share
some observations.


Douglas Clegg answered:

I'm not in publishing so I don't know where it's headed. It has changed a lot in the
past 20 years, as has bookselling. But I do know that a publisher will always want
a good story, well-told.


I always believe in writing exactly what interests me to write. And I've been lucky enough
to do it for 20 years -- so far. Knock wood.

I just think if a novelist doesn't know what he or she wants to write -- and instead
writes completely for a market -- the writer is not serving the novel or the world or
him/herself.

Most of the fun of writing, to me, is writing exactly what I want to write and demanding
as much from myself as I can, in the process.

Regarding freezing up, not sure if that's happened to me. = I spent the past 2 years
writing a novel very slowly and methodically as well as worked on about three or four
novellas which are not quite out yet -- but will be soon, beginning this summer.

If you come at writing from the idea of art, it will be what it needs to be. If you worry
about markets, you're writing someone else's book. Some writers can do it. It's not
for me.

I should clarify the statement: "If you come at writing from the idea of art..." -- what I mean
by "art" is the "art of writing" rather than "the business of writing."

There's the business of being a writer, but in terms of writing fiction, I believe -- when it
works -- the good stuff comes from an approach of "I am creating something using craft
and intelligence and imagination, not looking at a publishing schedule and seeing where
I can shoehorn my way into it."

I don't think I'm an artiste, but I am a craftsman and a bricklayer and a dramatist and a
storyteller -- all in the writing. And each of those is an art.

* * * * * * *

In answering your questions here, I hope I'm making what I do a bit more transparent.
Sometimes a writing career is sustained out of just wanting to be able to sit in a room all
day and write stories. That's the case with mine.

It's not always fun, and it's often difficult and painful. But I committed to this when I was
about eight and it's grown since then -- I doubt I'll be giving it up anytime soon. I think once
writing fiction becomes second-nature to a person, it's something that doesn't go away
or diminish very easily. It grows with use.

Best,

Douglas Clegg

http://www.DouglasClegg.com

Movie: Mermaid
[info]douglas_clegg
Mermaid -- or more accurately, "Rusalka," the original title --  is a Russian import, a beautiful, whimsical and ultimately dark tale of a girl who is born with a magical sense of life and luck.

Alisa (or Alice, depending on subtitles) reveals that she was born from a mythic mating of a sailor and a Venus-on-the-half-shell version of her mother in the sea. Alisa grows up with a view of the magical realism around her as she and her mother and elderly grandmother move from the seaside to the the big city.

In the city, her sense of wishing things to be true and of bestowing luck itself becomes both good and bad for her. When she meets a man on whom she develops a crush she begins to confer her magical sense of the world to him.

That's not the best write-up of the movie you might read. It's a funny, quirky --  and lovely -- story of the absurdity of life as played out from a singular viewpoint: a girl to whom life seems, itself, a wonderful game. I loved it. It ends with a shock, but it's a surprisingly good ending.

The young actresses who play Alisa (first, as a very little girl and then as a teenager) are pitch perfect.  There's a Fellini-esque quality to the movie that never quite goes into the overblown circus of the Italian filmmaker's realm but gets near its edges. 

Highly recommended.

Here's a movie trailer for it, which will give you a better sense of it:






Movie: Left Bank
[info]douglas_clegg
I watched a movie tonight called Left Bank -- a gothic horror thriller, basically, disguised at first as a sexy tale of love and mystery. I say "sexy" because the lead actress is naked through a lot of this movie -- and she and her boyfriend practice various positions before the movie's half over. Yet...it's tastefully done.

And integral to the story.

I mean it.

Left Bank is a Belgian film from director Pieter van Hees and the lead actress, Eline Kuppens, does a great turn as the Rosemaryesque heroine of the story. When young competitive runner Marie meets archer Bobby, the chemistry is undeniable. They embark on a love affair. While resting up from some health issues, she moves in with him -- and it's in his apartment in the area called the "Left Bank" that the inklings of something dreadful begin.

A woman named Hella disappeared months before, and the mystery of her disappearance becomes a source of morbid fascination for young Marie as she discovers secrets of the apartments where she lives.

I can't tell too much more without giving away the farm, but there are ritual occult dealings, a possible cult, pagan doings, hints of witchcraft -- and Marie's crazy mother who starts figuring out something's wrong with the Left Bank a bit earlier than her daughter does.

Despite a little confusion toward the end, it has a great ending that puts a spin on the story I didn't expect. I enjoyed it. It doesn't have the brilliance of The Others or Let the Right One In, but it was enjoyable. Not a scarefest, exactly, but a quiet tale of ancient mysteries in the modern world.

Here's the trailer for the movie:



Best,

Douglas Clegg

http://www.DouglasClegg.com




Email Newsletter Marketing for Novelists: The Basics
[info]douglas_clegg
Email Newsletter Marketing for Novelists: The Basics

I've been asked about this before and a reader (who is also a writer) just asked again in email. So I'm answering here in hopes it'll help some of you who write books. I believe that any novelist who is online and has books coming out in bookstores should be doing this.

Always keep "free" in mind. People pay for their internet service, they pay for books they buy, they pay for all kinds of things. In your newsletter, bring free to them. Free information, free screensavers, free stories, free advice, free cool stuff, basically.  My friend Christine Feehan calls them "goodies," and I like that term.

Check out Christine Feehan's newsletter at some point at http://www.ChristineFeehan.com -- she runs it really well and has all kinds of freebies there.

1. Go set up a newsletter in one form or another via Yahoogroups, Topica, ConstantContact or any number of other services. My advice is: if you have a very limited budget, use Yahoogroups.com and then later on, take your group to a paid service. On Yahoogroups, make sure you check off the choice to make it an "Announcement" group. If you're a programming whiz, you can set up your own on your computer. I just have no idea how to do that.

For a more professional look, a paid service is the way to go. I use Topica.com's paid service. It can run more than $100 a month at times, but it's worth it to me. I've heard ConstantContact.com is good, too. I'm sure there are several good ones out there.

You can also use an RSS Feed, post your newsletter at your site, and people can "Subscribe" there. I just haven't done that, so I can't quite advise anyone on it.

Subscribe to my newsletter at http://www.DouglasClegg.com and you'll see how Topica's paid service delivers it to you when the next one arrives. Plus, you get some goodies.

2. Put a sign-up form on your website with a "Please subscribe to my free newsletter..." and then add any additional text you want to put in there. My advice is offer them something free -- a chapter excerpt, an original story to read, a reprint, a screensaver...something a reader might want from a writer.

3. Decide how often you want to put out the newsletter. I used to think it was better to send it more frequently, but I've come to the conclusion that the fewer that go out per year, the better -- unless you genuinely have things to offer your subscribers all the time or have events they need to know about often.

I used to send the newsletter out weekly, but truthfully I didn't always have much valuable information (although for awhile there, I did have a "get a free bookstore gift certificate" contest each week). Now, I only send out an email newsletter when I have specific news, offers, or upcoming events. When a serial novel runs for my subscribers, the newsletter will go out frequently. At other times, it will go out when a new free ebook goes up, when a new novel is announced or comes out in the stores, or when an event's happening I think readers will want to hear about.

4. Do not sign people up to your newsletter -- ever. Even if they ask. Instead, show them where to sign up on your website so they can do it themselves.

5. My advice -- ignore if you wish -- is to make your newsletter as appealing as you can to anyone who hears about it.

It is your communication channel to the people most  likely to want to hear from you regularly about your writing -- these readers are important to you.

My experience is that they're a good group of readers, too, and as you hear from them over the years, you'll learn a lot about them from what they tell you about their lives and the books they're reading. And you'll have valuable insight into how readers approach your fiction.

5. I don't care if you have 10 subscribers or 100,000 -- no matter how large or small your subscriber base is, it'll keep growing over time so long as you treat them well and don't abuse the privilege of writing to them now and then. Each reader is important.

6. Keep your list clean. What this means is check for bounces, disabled accounts, old email addresses that are effectively "dead," because someone changed their email service, etc. Most paid services have an easy way to do it, and I suspect that yahoogroups.com has a way to handle this, too.

7. Do not abuse the subscribers. Do not send bulk invites from your Facebook to them. Instead, send a newsletter and let them know you're on Facebook and you'd like them to Friend you there. Do not ever use your subscriber list for anything other than sending them the email newsletter -- exactly what they've given permission for you to do when they subscribed.

No tricks, no abuse, no sharing your list with anyone.

All right, this is just a basic outline of setting up an using an email newsletter -- free to your subscribers -- to get word out about your books.

Go subscribe to various writer's newsletters to see what they're doing. Some of the writers are very personable and chatty, others simply announce a book when it comes out with a brief, nice note. Still others get elaborate.

The more valuable the information you offer readers, the more subscribers you'll get. I offer free ebooks, stories, screensavers, contests -- and as of the summer of 2009, a new serial novel called The Locust.

Once I announced the new serial, suddenly my subscriptions jumped by several thousand.

And I'd like it to jump even more, so please subscribe to my newsletter at http://www.DouglasClegg.com -- you'll get instant access to the V.I.P. area of the website, which includes free ebooks, novels, stories, screensavers & more.

Best,

Douglas Clegg

http://www.DouglasClegg.com



Tips for Scary Halloween Stories Plus a Challenge
[info]douglas_clegg
Five Simple Tips for Writing a Scary Story for Halloween Night

by Douglas Clegg

It's early for Halloween to be mentioned, but I want the idea of this to get around -- so I'm giving it a lot of lead time. Hope it helps you.

1. Find out what scares you -- whether it's something simple or complex, if it's not frightening to you then it will be difficult to communicate a sense of fear and dread to the reader. And don't forget, sometimes quiet is scarier than loud, and unease and fear are more powerful than an all-out assault.

2. Know where you're going before you begin. Whether in your head or on the page, structure your story so that its conclusion will seem inevitable. Then, go back and cover your tracks in the telling of the tale.

3. Involve the reader. Use emotion and insight and interesting twists and turns to make sure the reader is deep within the story and committed to its outcome.

4. Don't be too easy on your characters. If you like all the characters really well, it'll be hard to kill any of them off, drive them insane, or make them suffer. In horror, there's a bit of pain. Go with it. Unleash, if you wish. Better to go too far than to go nowhere.On the other hand, if you find that you're a complete nihilist and want to destroy every character (hey, Shakespeare did it in Hamlet), make sure we care enough about them before they go.

5. Entertain. Think. Be smart. Avoid cliches. Take the reader to the place in your imagination that will make them want to come back to you again. And again. Make it so they'll want to check out your other stories, and remember your name. A story meant for Halloween is for them, not for you. Give them an October gift.

* * * * * *
And now, I'd like to make a challenge. If you're a writer of any genre, let's make Halloween 2009 a very cool one. Yes, I'm thinking that far ahead (writing this in March, 2009).

If you're a writer, whether published or not, I want to challenge you to write a short story on your blog/journal to have up by Halloween night. Wouldn't it be cool if we got a thousand or more stories up that night to show the love of the holiday?

Feel free to reprint this in its entirety on your blog or site (including my sig below.)

Best,

Douglas Clegg

http://www.DouglasClegg.com

p.s. Don't miss out on the free horror thriller serial, The Locust, in my free email newsletter at DouglasClegg.com

Recent Brideshead Revisited - Excellent Movie
[info]douglas_clegg
Watching the recent movie version of Brideshead Revisited, with Emma Thompson as Lady Marchmain. This is much better than the '80s television miniseries. The script is sharp,  the acting is perfect. 







I Want My Torchwood
[info]douglas_clegg
Among my open guilty pleasures (I keep the others secret) is my absolute adoration for Torchwood.

And where is it?

Why can't I see Captain Jack snogging Ianto? That is the great, unusual gay love affair of television...and I can't find it anymore.

All right, I've substituted the recent season of Dr. Who for it -- for now. And while I enjoy Dr. Who, it was that slight edgy quality of the otherwise innocent Torchwood that got me to love it in the first place. The stories nearly went into Outer Limits territory. My favorite may have been the one about the faeries, where at the end, well, it wasn't exactly a Midsummer Night's Dream.

What are you watching that's fun, but with an edge, or an adult quality brought into a show that might otherwise be called a kids' show by some?

 


Steal This Widget
[info]douglas_clegg

The Locust: new serial novel launches this summer
[info]douglas_clegg
Subscribe to the free newsletter at DouglasClegg.com to make sure you'll get to read every episode of The Locust by Douglas CleggHere's the cybercover for my upcoming serial that will begin its run this summer.

It's called The Locust, and it begins when a little girl runs up to the screen door of a house on the edge of a small rural community.  She's escaped someone in a black delivery truck, and the family that takes her in discovers that there is more to this child who calls herself "Myra Coates," than meets the eye.

I hope this supernatural thriller (read: horror/dark fantasy)  is the first of several about a specific kind of creature that you may never want to meet -- except in fiction.

Please join me for this serial novel of horror that launches during the summer of 2009.

With best wishes,

Doug

DouglasClegg.com

p.s. Caniglia provided the cover photograph of the girl at the door. To see a larger image of the cover, click here.


Ask Me Thursday
[info]douglas_clegg
This is "Ask Me" Thursday. If you have questions about writing, publishing, technique, etc., this is the day to ask.  Preferably one question per person, but hey, if you ask two in one post, I'll tackle them.

If I can't answer the question, I'll tell you.

-- Doug

http://www.DouglasClegg.com

Movie Night in Manhattan
[info]douglas_clegg
http://shocklinesfilms.com/index.html

My friend Matt Schwartz and his company Shocklines present a film series with very cool horror movies on the big screen in Manhattan. Next one up:

A Tale of Two Sisters.

I've seen it, and it's worth the watch if you love gothic horror.  If you're in or near Manhattan, here's the information from Matt:

I can't vouch for how THE UNINVITED will be -- I'll certainly be seeing it. But two days before it opens, come see the original K-horror film it's based on, A TALE OF TWO SISTERS, as part of the Shocklines Film Series at 92Y Tribeca in NYC.

I truly think A TALE OF TWO SISTERS remains one of the most chilling -- and most fascinating, story-wise -- K-horror films ever made. I hope you'll come out and see it. This is your chance to see it on the big screen before the remake comes along. If you ARE coming, let me know -- I would love to keep an eye out for you.

We're also showing the incredible short film BLOODLINE, a modern day look at Jack the Ripper which has been getting a lot of critical acclaim on the festival circuit.

Click here for details:
http://shocklinesfilms.com/index.html

Wednesday, January 28, 2008, 8:00pm
92Y Tribeca, 200 Hudson Street
New York, New York 10013


See A Tale of Two Sisters in NY City

Your Literary Hero?
[info]douglas_clegg

The way you play this game -- if you want to -- is to link to this blog entry from your blog and ask your blog readers the same question.

In the answer, put a link to some information on the internet about your literary hero (this can be to Wikipedia or any webpage).  Your hero can of course be male or female, dead or alive. Also, if you've got a book cover of your favorite book of theirs, put that up, too. You could also simply comment here with your favorite, if you prefer.

Who's your literary hero?

I have a few, but I would say the top of my pile is Isak Dinesen AKA Karen Blixen, author of Seven Gothic Tales, Out of Africa, and many others. Seven Gothic Tales is my favorite of hers.

http://en.wikipedia.org/wiki/Karen_Blixen

Isak Dinesen AKA Karen Blixen

Best,

Douglas Clegg
http://www.DouglasClegg.com


Snow Day
[info]douglas_clegg
I try not to work on snowdays. I like looking out the window and thinking, "No school today."

Have Yourself a Scary Little Christmas
[info]douglas_clegg

Happy Holidays from Douglas Clegg & Raul Silva at www.DouglasClegg.com

Jellyfish, Alturas Duo, Hamlet, Iphigenia, Let the Right One In...
[info]douglas_clegg

A treasured friend sent us as a wedding gift a phenomenally beautiful art glass sculpture. You've got to see this stuff.  Here's a link to some of the work that has come out of this studio (we received a duo-jellyfish lighted sculpture -- really stunning.)

http://www.mendocinostories.com/ART_GlassFire2.html

When I get the camera out, I'll try and get a good photo of the one that's currently on my desk. I now want to collect at least one more of these. Makes me love jellyfish.

* * * * *
Over the weekend, we went to hear one of our favorite "groups," the Alturas Duo. If you ever get a chance, go see them live. Here's their website:

http://www.alturasduo.com/

Here's their YouTube page, although after listening to some of these, unfortunately the recordings done here don't capture the vibrant sound these two create. Still, you'll get an idea of the style of music:

http://www.youtube.com/user/alturasduo

* * * * * * 

As some of you know,  I've spent the past 2 years primarily studying classic drama and fiction and focusing on the techniques of some of the great writers and dramatists -- and re-examining what story is, what it can mean, and ultimately, why I'm a storyteller. Every few years or so I feel it's important to focus again on the fundamentals of fiction and drama itself, and this tends to slow down my writing a bit.

As a result of taking this time, and continuing to write, I've got about 3/4 of a novel done, and three novella/novelettes finished.

I suspect I'll have some good announcements in the coming months about upcoming fiction, but I wanted to express my thanks to the readers out there who have supported my writing all these years (by buying and reading it), which has allowed me to focus my working life on books, fiction, and drama in general.

I do not take this for granted -- writers' careers can go away easily, and I have been thankful that mine still exists after 2 decades.

And before I forget, I'm not sure how much longer I'll leave Afterlife online as a free read, so if you've missed it, go check it out now, right here:

http://www.DouglasClegg.com

Best,

Doug

p.s.

After having seen about half-a-dozen Hamlets, I think the best filmed version is the Kenneth Branagh one -- worth renting. Watch it slowly, over several nights. And there's a Greek production of Iphigenia (the one with Irene Papas in the cast) that's also powerful.

And, if you haven't gone out to see the movie, Let the Right One In, you are missing a great horror film.

As for reading? I've been re-reading The Great Gatsby this week. It still proves to be a perfect novel. I would love to track down any notes Fitzgerald may have left about the writing of it -- was this an effortless tale, or did he edit it endlessly? I'd really love to know.  I'm guessing he edited it endlessly, but I may be wrong.

What book are you reading? What movie can you recommend that you've recently seen?





Two Grooms, No Bride
[info]douglas_clegg

Just married, November 17th. That is all for now.


Election, Marriage in CT, and Crichton
[info]douglas_clegg
Congratulations to our new President -- as of January.

But on top of that, my partner of just about 20 years and I ....will get married. We can now legally do this in the state of Connecticut, where we reside. I'll report back after the event occurs.

I am sorry to see that it looks California's voters have amended their constitution toward bigotry and exclusion, but the final votes aren't all in, so I'm still holding out hope.


 

And in very sad news, my colleague Michael Crichton has died. He will be missed. I am a fan of his fiction.


Don't Miss This Movie Event in New York City
[info]douglas_clegg
My friend Matt Schwartz and Shocklines are presenting the first of a major horror movie series in Manhattan.  If you're in or near Manhattan, you've got to go:

Next Screening:
Wednesday, Oct 29, 2008, 8:00pm
92Y Tribeca, 200 Hudson Street
New York, New York 10013

Dog Soldiers
(plus the short film Peekers)

Date & Time: Wed, Oct 29, 2008, 8:00pm
This instant cult classic from Neil Marshall, the creator of The Descent, and never released theatrically in the US, is a bloody and terrifying tale of full moon in the Scottish Highlands—and the scariest werewolf flick ever made. The evening begins with the short Peekers, directed by Mark Steensland, with a screenplay written by Rick Hautala based on a story by Kealan Patrick Burke. Everyone in the audience gets a limited edition booklet (only available at this screening) featuring Kealan's disturbing work, so you can bring the nightmare home.



For more information:

http://www.shocklinesfilms.com/dog-soldiers.html



Success and Value
[info]douglas_clegg


Success and Value are two ideas I've been mulling over for a few years. There can be success with little or no value to what is successful, so that what is a success today is discarded six months from now and becomes a withering laurel wreath.

But value seems different to me, particularly when it comes to fiction. A novel or story of value does not need to be a success (even though it is, by another use of the word, a successful novel or story -- in terms of its value.)

This is often the struggle in writing for a living: to create a valuable story or novel, something that has meaning as well as an entertaining storyline. But success? That's up to someone else other than myself -- the publisher, the bookseller, the reader.

All I can do is work on creating a story of value. I've certainly struggled with the idea of success for more than 20 years -- and when I've had a measure of it, suddenly I measure it differently and don't feel successful at all. It's a moving scale that is always just out of reach.

But when I look back over more than 24 books I've created, I am happy with a handful of them in terms of their value as stories and novels -- regardless of whether or not they were successful as defined by popular consumption or acclaim or awards. My novels Neverland and The Hour Before Dark and The Priest of Blood and Mordred, Bastard Son stand out to me among all my novels. Yet none of them won awards, and although all sold well (and one sold slightly better than well), it's not as if Danielle Steel or James Patterson got knocked off their thrones.

To me, those four novels have great value as fiction, and I am proud of them. Other novels of mine, a little less so, although many of them were fun to write and others were dogs to write but I felt I was heading toward something important -- to me -- with them.

I've been working too slowly on a novel, and one of the reasons being I want to reinvent what I'm writing from the ground up -- I don't want to get to the end of my life and look back and think, "Well, I fulfilled expectations, yay me."

I want to look back and feel I created a value in fiction itself, regardless of the success of my career. I suppose I am using the words "success" and "value" to denote "career" versus "life."

I'd rather have a life than a career, and I'd rather create value in my work than claim success with it.

This note was prompted partly because I'd been thinking over all this after several letters from aspiring writers about "becoming successful," had me remembering that I wanted the same thing when I wrote my first novel. I wanted success. But success constantly redefines itself as each hoop is jumped -- a vanishing target that briefly teases to let you know it might be reachable. But it never really is, except in the perception of others.

But value? The value in fiction is in the ability of the writer to capture -- and release -- something eternally true in the human condition through the entertainment of a story.


 


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